Dear international Visitor!
We love you. Please keep this in mind. And we'd like make
your stay as comfortable as possible. We'd like to assist
you on your search for justice, truth and what autoZynik and
its music is all about. But we're too lazy and on other days
too busy to create an english version of our website.
Therefore we put this article of the russian online magazine
into altavistas babelfish
- done. We love the result. Have fun. And keep in mind: autoZynik
German as if Post-panki with the extremely chaotic stylistic
directivity. Here and cow-pank, here and ska pell-mell folkom,
here and even elements of Polish woman are located. But this
very surface impression, since is already painfully mobile
AUTOZYNIK in the familiarization, it would seem, the in no
way characteristic of panku musical horizons enumerated above.
But if we look something similar on domestic susekam, then
here it is possible to be released into the long experimentations
with the "nashenskimi" (and not very) commands and
by mixing the creation of the afore-mentioned to attain a
certain similarity. For example, let us take for the beginning
the pank- component OF NEURO DOWEL, then let us toss up people
merriment from ZDOB SI ZDUB of dash VV, we warm up on the
slow fire OF KING and CHUTE all this and we will obtain the
more- less clear quintessence of creation AUTOZYNIK. To eat
podano. Now you, probably understood, why to this moment about
this command you heard!
nothing - rarely when associations such specific in their
essence break through with their music for the cordon, those
more into Belarus'. How I understood from these all "nishcht",
"dydyshcht" and "nigidyshcht" (German
they were not trained, zvinyayte), "Bing" - this
assembling the best songs of the association during the period
from 1996 through 2000, moreover sometimes with live- versions.
Impression from the creation of group is the most ambiguous,
but one can be said accurately: everything briskly, is almost
not aggressive and is permanently energetic. And with very
diverse vokalom, which first gets down to the wheeze Of tillya
Of lidel'manna from RAMMSTEIN, then it takes off to the being
yielded to no classification cries and the howls A -l4 Gell
Biafra from DEAD KENNEDY'S. Rich, but somewhat vanguard and
cutting the delicate rumor arrangements, "weighed out"
to the the classical three-chordhowl gitarnyy riff, separate
the narrow framework of panka, thus as if raisin!
g in the memory the also occurred experiences in the more
d representatives of this music (let us recall experimentations
CLASH). With the stretch this can be even named "intellectual
pankom" (let you not frighten the apparent absurdity
of this term - it occurs and such), in that quality, in which
noncommercial music generally is received.
Altogether: according to the five-point scale I place "four".
Moreover not entirely for the quality of that played (it and
so at the height), etc., but for very fact of existence of
similar extravagant pankov. In the epoch of the transformation
of this panka itself into the theatrical farce.
P.S. I note also the strange love of musicians for the pigs
and the cows, whose with "statements" album is amorous
filled. A similar unity with the brothers by our smaller greatly
gladdens and warms.
P.P.S. A in OFFSPRING left new masterpiece... by about-e-
it... what we all steep and remarkable... ponavypuskali here...
and generally - AUTOZYNIK is more interesting!..